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PROGRADAR recommends : Weend’ô “A group of talented and consummate musicians fronted by the amazing vocal talent of Laetitia”

http://www.progradar.org/index.php/2018/04/10/progradar-recommends-episode-5-frequency-drift-hillmen-deafening-opera-weendo/

 

Released 17th March 2018

Order the album direct from the band here

Weend’ô – Time of Awakening

There’s some really good music coming out of France. I’d heard of Weend’ô but it wasn’t until I’d made their acquaintance at last year’s Summer’s End Festival that I really got to see and hear how good they really were.

A group of talented and consummate musicians fronted by the amazing vocal talent of Laetitia, a singer heavily influenced by Anneke Van Giersbergen and one who has completely transcended any such comparisons now. The band’s sound has previously been described as falling somewhere between Pink Floyd’s more ambient moments and the modern riffs of Tool, a fair comparison although I feel they are ploughing their own unique musical furrow nowadays.

Atmospheric rock music with prog-tinged hues and a real under current of the blues to the fluent guitar playing, I find it totally addictive and fronted by Laetitia’s sultry rock voice it takes on a whole life of its own. ‘Time of Awakening’ is a call to humanity to keep faith and hope despite the appalling events currently afflicting the world. Discussed in the wistful and ethereal hymn Elea, nothing can stop the true evolution…

Seven songs, forty-three minutes long, this deeply engaging album will immerse you in Weend’ô’s singular musical world and it is a place you may find exceedingly difficult to leave. This wonderful album is definitely my unexpected find of the year so far for 2018.

Rating – 88/100

Released 30th March 2018

Order the album from bandcamp here

newtoplogo3 The Progressive Aspect UK

Review by The Progressive Aspect (UK) : “it easily matches up to Nightwish or Lacuna Coil in metallic content”

http://theprogressiveaspect.net/blog/2018/04/06/weendo-time-of-awakening/

 

Weend’ô – Time of Awakening

Article by: 

Music always has the ability to affect emotions, but although those moments are quite far between surprises happen. I first heard Weend’ô (pronounced ‘Window’, it’s Japanese) at the Summer’s End festival in Chepstow last year, and as seems to be the norm, organisers Huw and Stephen had pulled something special out of their bag of tricks. Weend’ô were the opening act for the Saturday afternoon. Arriving about 4 minutes late, hearing the end of their opening number I was immediately enraptured; musical control in all areas, covering multiple stylings and crowned with a voice that is almost as comfortable with the operatic as it is with the bluesified rock elements.

Although I purchased this album at Summer’s End, it was officially released on 2nd February 2018 on the newly formed Sonicbond label (another product of the dynamic duo, Stephen & Huw. You decide which one is Batman, I shall not be drawn). It remains great, and due to the release date available for my end of year selection, even though that is many month’s away!

It is atmospheric, combining music and sounds to a dramatic effect, the album seeking to address the turmoil around the world in 2017 and asking humanity to keep faith and hope, despite the worlds troubles; the band’s belief is that we are entering a new period of evolution and experiencing a new paradigm, even though many of the events have been very personal to the communities affected. High thoughts in a world troubled by religion, and in many cases the reaction being for some to become more spiritual. Angel Dust, the single from the album, addresses this from a personal perspective, and again in Elea but with a broader view. Even if you are unable to grasp the view that All is one – both the visible and invisible worlds – nothing can stop the true evolution…

Time of Awakening, both the title and the ensemble parts that make up the majority, is the opening piece, three pieces with a common thread and, from my point of view, dealing with the nature of change and that which is ‘force majeure’, meaning that we have no control over how and when these changes occur. Through speakers it is wonderful, through headphones it seems to reach another more involving level.

At times metallic, changing to almost folk, operatic, ballad-like, the voice of Laetitia Chaudemanche touches so many points, and those chills and thrills multiply. Although not listed as an influence on their web page, I find her voice reminiscent of Guesch Patti (Patricia Porasse), check out L’Homme Au Tablier Vert (Fleurs Carnivores)from Nomades (1990), though you may disagree. The lyrics provoke thought too, I recommend a hard copy of Time of Awakening album, it would be nice to read the words, but sadly the lyrics are not available here.

For a long piece in three parts, Time of Awakening does not pass slowly, and I am more than happy on the third listen as I write this review. Many an album requires a step back, reflection and consideration before depressing a key, had I done so here, my view would not change.

Max Rami and Térence Nguyen Van look the part of metal players, however appearances are deceptive and their performance are nuanced giving much depth to the music that could easily become lost in power chords and shredding. That is not to deny the contribution of the drumming of Nathanaël Buis, even in the quietest moments the band are one.

Angel Dust rings with emotion, the music opening with a metal riff before dropping to something far more subtle, and much like a towel from the radiator, wraps around you, enveloping you in its warmth. They really mix things up nicely.

 

The album concludes with the two part prayer Elea. With lyrics written from personal reflection and experiences, they pose questions for us on our own take on life’s journey and the future. It’s been a while since I have given this album a spin – so little time, so much music – but it is as fresh and still with those chill moments that I experienced when I walked into The Drill Hall at Chepstow the first time. I am very selective on my purchases at these events. Limiting my budget so as not feel the need to sell my soul to attain enlightenment, but with Time of Awakening I am very happy to have parted with my hard-earned cash.

The album, at least on the Bandcamp download, ends with the radio edit of Angel Dust, but give yourself a treat, purchase this, it easily matches up to Nightwish or Lacuna Coil in metallic content, and the rest is a joy too. Look out for live performances as well; the music itself is amazing, live it rises further up the celestial pyramid.

TRACK LISTING
01. Time of Awakening, Part 1 (7:05)
02. Time of Awakening, Part 1 (5:04)
03. Time of Awakening, Part 1 (8:06)
04. Angel Dust (8:20)
05. Elea, part 1 (7:07)
06. Elea, part 2 (4:18)

Total Time – 40:00

MUSICIANS
Laetitia Chaudemanche – Vocals, Keyboards, Lyrics
Térence Nguyen Van – Guitars, arrangements
Maxime Rami – Bass
Nathanaël Buis = Drums, Loops

ADDITIONAL INFO
Record Label: Sonicbond
Country of Origin: France
Date of Release: 2nd February 2018

Review “Time of Awakening” – by IT DJENTS !! Amazing !! (8.5/10)

“…From the clear, punchy recording, great modern riffs and of course, that vocal performance, this is an album that deserves to be recognized as something new and exciting in this genre. I look forward to seeing how Weend’ô develop in the future (plus I’ll keep banging on about them to my mates!)….”

http://www.itdjents.com/reviews-2/weendo-time-of-awakening/

Weend’ô was one of the Top 5 nominations in the BEST CRS NEWCOMERS Awards !!

Thrilled to learn Weend’ô was one of the Top 5 nominations in the BEST CRS NEWCOMERS Awards last night ! Thanks so much to all who voted, that means so much ! we are very honored ! and be sure that we will go back to UK !!!

https://www.facebook.com/permalink.php?story_fbid=10156681185826756&id=155765501755

CRS AWARDS 2017 :

Best MALE VOCALIST: David Longdon (Big Big Train)
Other top nominations were: Steve Hogarth, Peter Jones, Damian Wilson, Nad Sylvan

Best FEMALE VOCALIST: Olivia Sparnenn-Josh (Mostly Autumn)
Other top nominations were: Heather Findlay, Anne Marie Helder, Christina Booth, Hayley Griffiths

Best BASS PLAYER: Nick Beggs
Other top nominations were: Pete Trewavas, Lee Pomeroy, Jonas Reingold, Greg Spawton

Best DRUMMER: Nick D’Virgilio
Other top nominations were: Craig Blundell, Carl Palmer, Alex Cromarty, Mike Portnoy

Best KEYBOARD PLAYER: John Young
Other top nominations were: Iain Jennings, Andy Tillison, Rob Reed, Mark Kelly

Best GUITARIST: Steve Hackett
Other top nominations were: Steve Rothery, John Mitchell, Bryan Josh, Chris Fry

Best CRS NEWCOMER: This Winter Machine
Other top nominations were: Weend’ô, Tiger Moth Tales, Kaprekar’s Constant, Iamthemorning

Best ALBUM: Grimspound (Big Big Train)
Other top nominations were: Sight Of Day (Mostly Autumn), To The Bone (Steven Wilson), Cardington (Lifesigns), The Man Who Never Was (This Winter Machine)

Best TRACK: Sight Of Day (Mostly Autumn)
Other top nominations were: A Mead Hall In Winter (Big Big Train), The Man Who Never Was (This Winter Machine), Trojan (Magenta), Cardington (Lifesigns)

Best LYRICIST: Greg Spawton
Other top nominations were: Steven Wilson, David Longdon, Bryan Josh, Peter Jones

Best CRS LIVE ACT: Magenta
Other top nominations were: Pendragon, Karnataka, Mostly Autumn, Tiger Moth Tales

Best OVERSEAS BAND OR ARTIST: Franck Carducci
Other top nominations were: Iamthemorning, Neal Morse Band, Lazuli, Mystery

Best UK BAND: Big Big Train
Other top nominations were: Marillion, Mostly Autumn, Magenta, Lifesigns

(Other nominations above listed in no particular order. Full Top 10 listings will be published in the next edition of the CRS magazine Rock Society, as usual.)

CRS Golden Ticket Prize Winner: Ian Bell