Mr Bowler Music Agency Proud Mr Bowler! An honour to work with this super talented band!
Mr Bowler Music Agency Proud Mr Bowler! An honour to work with this super talented band!
|16.01.2019 par SHAKA|
|Depuis quelques semaines, vous avez pu voter sur la page Facebook Music Waves pour élire votre album préféré sorti en 2018 parmi le Top 2018 de la rédaction.La grande finale opposait SOUTHERN EMPIRE à WEEND’Ô. Vous avez été 1122 à voter pour ce duel qui s’est avéré très serré puisque seulement 38 voix séparent les deux formations (580 à 542 voix).
Ce sont finalement les Frenchies de WEEND’Ô qui se sont imposés sur le fil après avoir éliminé MADDER MORTEM, GHOST et KAYAK. Un grand bravo à WEEND’Ô, mais aussi à SOUTHERN EMPIRE qui avait sorti FREAK KITCHEN, PRIMAL FEAR et A PERFECT CIRCLE pour accéder à la grande finale !
As we approach the half way point of 2018, The Progressive Aspect, in collaboration with Anthony Rowsick’s radio programme Prog-Watch, have collected together our “Best Albums of 2018 (so far)”. The programme airs on Progzilla Radio today at 1:30 pm, will be repeated again on Monday at 6:30 pm, and Wednesday at 11:00 pm (UK times).
Albums to make the list include Midas Fall, Frequency Drift, Malady, Agusa, Plenty music, Perfect Beings, WEEND’Ô (prog rock – France), Dave “Squids” Kerzner, Shan, Mothertongue, My Indigo, Subsignal, Riversea, Arena, Yuka & Chronoship, Neil Campbell, Ryley Walker, Dobbeltgjenger, Weedpecker, The Fierce & The Dead, Galahad, John Holden Music, Gazpacho, THE C:LIVE COLLECTIVE, Fernando Perdomo Emperor Norton, Professor Caffeine & the Insecurities and The Aaron Clift Experiment
Weend’ô a fait une très grande impression depuis la sortie de son 2ème album “Time of Awakening” en Février 2018, si bien que les chroniques et interviews s’enchainent un peu partout, ici au Pays Bas, dans le zine réservé au Metal …Interview avec Laetitia :
Salut! Before we begin I would like to say congratulations on the release of ‘Time Of Awakening’. I liked the album from the very first play but it has grown on me even more over time (also, my dad is now a fan of your music). Have the review been to your liking so far?
Hi Leon, first of all I would like to thank you and your e-zine for your interest in Weend’ô, It’s our first interview for “Lords Of Metal” and we are very honored for such positive reviews received so far! Indeed we worked hard on this second album because we knew that Weend’ô’s existing fans and hopefully new ones would be looking for us to move to the next level. There are a lot of young bands with a highly technical approach in their music, music is evolving and we felt the need to insert such an approach into our music too. It seems that it has worked! We are very proud of this album, and it seems to be on many reviewers favorite of 2018 as I can read in many reviews. We will see at the end of the year if this remains the case.
Personally I feel that this album shows tremendous growth compared to your previous record ‘You Need To Know Yourself’, what do you consider the main differences between the two records?
Yes, you are right! When we recorded the album, we felt deep inside that something new from us was emerging. What you feel is certainly the fact that we incorporated more our feelings, we are more mature, we don’t want to hide these influences. The first album drew on our younger life experience, it was more personal. But this second album is definitely an album aimed at humanity!
As part of what we created together, there was a great performance from our drummer Nathanael; you can hear that on the album! And the Bass from Maxime is also more powerful. We know each other much better now since we have been together 8 years. Terence also worked a lot on the guitars parts! I remember the nights spent in our studio to record all of his solo’s for each song, He played around fifteen solo’s in total! He wanted to find THE special solo for each part. Nathanael recorded the drums in his studio with a great deal of care and for this new album I did my first solo on keyboard and created all the keyboard parts (except for Elea, where Terence created all the music, and Nathanael helped with adding some loops at the end). I also developed my vocals a lot. Another big aspect of the recording that makes the difference is that we recorded in our own home studios with our own sound engineer Jérémy Mazan (who used to work for metal bands in Toulouse). That makes a big difference when you have someone who already knows your sound very well and knows what kind of sound you want to step up to. He also sang his “grr” vocals on Elea at the end of the part one. We always wanted to combine his voice with mine and the result is really nice! If you add to that, the voice of Alan Reed at the beginning of Elea, and this song is absolutely amazing! For the mastering we worked with Acle from Tesseract, He congratulated us on our songs by the way and he was absolutely fantastic. The band added our wishes and ideas into the final mix, but it was Terence who made the final decision and chose this or that idea for the mix as he composed most of the parts for each song. As he is a demanding composer, he wants the result to be closer to what he “hears” in his head. Finally, it is clear that the main difference on this album is the powerful sound as we worked with guys who have been playing in metal for a long time.
On ‘Time Of Awakening’ the songs are clearly part of one story, yet you’ve decided to split them up into three pieces. I guess the same goes for the last two songs on the album ‘Elea’. Can I ask why you didn’t group them together in a single song?
To make it easier to understand and to enable people to feel and understand when there are changes and to help them go straight to a section if they like it particularly. But when we play them live, the songs are not disconnected.
I would like to know more about what the song lyrics are about, from your perspective. Could you give us a short explanation per song?
I’d like to specify how I write the lyrics before detailing the meanings. I need the music to work from. So first we created the music. Guys were playing their parts at high volume and I was sitting in the sofa with my paper and my pen – I need to be entranced by the sound -and suddenly I start to receive images that I have to translate into words. Sometimes it is a very strong feeling that comes out and I have to write immediately. Then I need to be alone to work on the lyrics again, still with the music at high volume, to see if other images will to come to me.
‘Time of Awakening’: it is an awareness of what is around us and inside us, what is visible and invisible. Because the total human power depends on those connections, all is one and we have all the knowledge inside ourselves. It is no more question of thinking but acting, to change our world and make it better! But the awakening has several steps:
‘Part one’: Accepting the invisible and being thankful for the beauty of the Creation. That guides you to the second part. Part two: you start to think a lot of why you are here, why you incarnated in this or that country, in man or woman, what is your mission…and you start to doubt , you start to question all the time, you want to reach the wisdom because you know that it is the end of the path, and part three comes, really painful. Part Three: unfortunately as you have started this awakening path, you could NEVER go back to your former “you” and you would feel lonely, you would develop more sensitivity, it is very hard to live at the beginning but once absorbed, you come back to life , you have the freedom to BE what you have to live for. For that, no chains are allowed. Keep faith in the universe and dare!
‘Angel Dust’: I put into this song a real and personal experience; I have been “visited” into my dreams by a very high being, absolutely magical and very beautiful! He knew all about me, it was incredible and he did not speak, he used the telepathy. He showed something in my dream, a warning, someone I had to avoid. The next day, what he showed me in my dreams was real! I discovered the truth in the “real” life. All this short story to give hopes, we are not alone, we are always carried by an Angel, we need to believe in them and ask them for their help.
I really like the artwork of the album (the water ‘splash’) and the paper inlay (the elf), how does this fit with the music on the album?
The water ‘splash’ as you call it is not only water. There is a shape, an animal. Can you see it? I wanted to put a symbol of a High Spiritual Energy: the Dragon. Because they are the guardians of some special lines on Earth and they have been back to help us for our actual evolution. The water is the memory and Life.
The Paper inlay, is a painting by a friend of mine, Mathieu Fappani (from Paris), who created what he “saw” when thinking about me and my lyrics. He comes from the French Brittany, well known for its mythical tales. I have French Brittany and Irish roots. We do feel both the visible and the invisible worlds I think because I was very impressed to see how he was connected to my inner feelings. There are a magic & mystic aspects to Weend’ô.
Right after ‘You Need To Know Yourself’ you’ve released a live DVD ‘FairytalAcoustic’, with stripped-to-the-bone versions of the songs on the album. What made you decide to do a live DVD and specifically with acoustic versions of the songs?
It’s very simple. In France, prog music is not so well recognized as abroad. In France there are a lot of festive music, acoustic music, even if there is a big ROCK audience!! But as the prog is not well broadcast, we need another angle to seek programmers who would be ready to let us play in their venues. To get more places to play, most people advised us to play acoustic songs and they were right, we played in Restaurants, in small Culture Centres, in Theaters, in a Castle, even in a Golf Center! And each time people discovered Weend’ô in acoustic form, we told them that we had an electric version and many of them became fans of the original version of Weend’ô .
Can we expect a live DVD following ‘Time Of Awakening’?
Why not? We have a project with a painter and mapping designer on a stage soon. So we could maybe use this opportunity for a live recording.
I read in an interview somewhere that you have stopped your day jobs to fully focus on music, is that still the case?
Yes that’s still the case and I am glad to say that we are officially recognized as musicians in France as there is a status for professional musicians. That’s great! We are lucky to have that status in France. But we need to enlarge our influence. We have to undertake several projects at the same time as either musicians or technicians, it depends on what we are offered That gives us time to build our own big studio and start creating new musical projects…and new songs for Weend’ô of course!!
There is a question I ask to everyone in every interview. The music industry has drastically changed in the last years. More and more people switch to streaming services, such as Spotify or Deezer, but because most of those people aren’t buying any albums anymore it means that artists are financially impacted. On the other hand it makes the artist’s music more accessible to people worldwide, which can lead to more fans. What is your take on all of this?
With Spotify and Deezer, there are so many artists we can discover, that is great. However, if you want your band to be discovered, we need to get reviews, from my own experience, Weend’ô has been discovered in many different ways – by word of mouth / via gigs /via reviews / via Facebook / via Twitter. It is harder to check how Spotify or Deezer have been useful for Weend’ô. We will see… For the albums, it is really different. Our album has been completely paid by the fans through Indiegogo, and thanks to reviews we got many orders. The one hundred cd’s we brought with us at our last tour in the UK in October 2017 were sold out within two days. At the Summer’s End Festival, we sold nearly all our stock of albums. To sell a lot of albums, it depends on playing live now. We need to perform a lot on stage if we want to sell more. And our label, Sonicbond in UK, is a real great opportunity to spread the word about Weend’ô !
What’s next in your agenda? Any plans of touring, perhaps even visiting the Netherlands?
In our agenda, we have projects for Weend’ô in acoustic this summer in our area, and the big project with the painter in August and in October. Then we will come back to UK next Spring 2019, at the Winter’s End and hopefully in other towns. And yes, for sure, we really want to play in The Netherlands! We have been in contact with Arne from Mr Bowler Agency to help us with that.
Thank you so much for taking the time to answer my questions! Do you have any last words for our readers?
It was really a pleasure to answer your questions, and I would like to says to your readers to enjoy Life, and LOVE! We hope to share our music on stage with you soon! From Terence: “keep listening to the real good music and make it known to your children”.
Hi everyone, hope you are all well and looking forward to the weekend. Thank you again too everyone who tuned in to last night’s edition of Kiss That Prog – Listen Lanarkshire. If you couldn’t drag yourselves away from the football on TV or want to hear it again, you can do so here on MixCloud
Here’s our setlist for last night:
Original Asia - Face on the Bridge
Circuline - Who I Am
Crescent Moon - Heart of Darkness
Peter Gabriel - More Than This
Sean Filkins - The English Eccentric
Chris Squire - Silently Falling
Spock’s Beard - To Breathe Another Day
Comedy Of Errors - Disobey
Jethro Tull - Beggar’s Farm
Robert Berry - Somebody’s Watching
Camel – Band - Song Within a Song
Steve Hackett - One for the Vine (Live)
Times Up - No Smoke
Ayreon - Isis And Osiris
Porcupine Tree - Trains
Our featured album was one of best albums of the year so far. From French band WEEND’Ô (prog rock – France) it was Time of Awakening and along with the title track, we played Angel Dust and Elea Part 1. Even if you check out our Mixcloud show for this band alone, you will be very glad you did.
That’s all for now, enjoy the weekend and we’ll be back on the air next Tuesday at our usual time with another two hours of great music for you.
All the best
Depuis la sortie de l’album “Time of Awakening” en février 2018, Weend’ô fait parler encore et encore…et obtient même la 3ème position (votes du public !!) dans le tout dernier magazine Classic Rock Society au Royaume Uni !!!
“Weend’ô vous transporte dans un tourbillon d’émotions : ici la Musique confine à l’Art avec un grand A et un grand M. On tient là peut être l’album de l’année dans sa catégorie.”
Weend’ô est un groupe à part dans le paysage musical hexagonal. Le quartet, au-delà du travail de composition et d’interprétation, propose une vision artistique très développée et notamment sur scène comme en témoigne le très réussi “Fairytalacoustic” (2014) mêlant danse, théâtre et donc musique. Cette conceptualisation presque intellectuelle pourrait déstabiliser, cependant le groupe fascine l’auditeur et ne laisse pas indifférent depuis son premier essai “You Need To Know Yourself” (2012).
C’est donc six ans après que sort “Time Of Awakening”. Ayant placé la barre très haut dès l’origine, la pression est relativement forte sur les épaules de Weend’ô de faire aussi bien voire mieux avec ce nouvel album. La musique du combo est comme une fenêtre au travers de laquelle l’auditeur voit passer les différentes couleurs du ciel musical. Celui-ci sera clair-obscur avec ‘Time Of Awaken part.1′ au rythme hypnotique sous forme de loop que vient rejoindre la guitare qui balance son premier solo d’emblée sans avertissement. L’auditeur est happé puis pris au piège des filets de Weend’ô, tel Ulysse paralysé par le chant des sirènes que Laetitia incarne. Puis la musique se tend et se densifie au fil de l’eau, à l’image de cette pochette minimaliste marquée d’un S inversé aquatique.
Elle est comme un courant contre lequel il est devenu impossible de lutter. Celle-ci offre cependant des accalmies comme sur ‘Time Of Awakening part.2′ : le piano subtil souligne le chant si délicat de Laetitia qui finit par s’effacer pour laisser les notes s’exprimer, puis un passage electro fait monter la tension pour amener la dernière partie de ce morceau phare éponyme. Celle-ci bouscule façon Riverside, ajoutant à la mélodie et la mélancolie une lourdeur presque metal où chaque musicien ira de son moment de gloire : la guitare avec ses soli très inspirés, la basse ronflante, la batterie incisive et le clavier final tout en nappes aériennes et atmosphériques qui calment le jeu.
Groggy, l’auditeur manque d’air, et ce n’est pas le titre suivant qui va l’aider à lui apporter de l’oxygène tellement ‘Angel Dust’ est d’une densité déconcertante où les breaks sont multiples, brusquement enchaînés et semblant manquer de liant. Le titre surprend, chamboule, désoriente un peu à la The Gathering, et demande plusieurs écoutes pour saisir les subtilités nombreuses (rythmes syncopés, passages planants, parties plus dynamiques) qui s’enchevêtrent jusqu’à l’explosion finale portée par le chant.
Weend’ô, après ce déluge d’émotions, soigne sa sortie avec le sublime titre ‘Elea’ découpé en deux parties. La première débute de façon plus calme accentuant une mélodie plus lisible avec une montée en puissance à l’image des dernières compositions d’Anathema avec un growl en arrière-plan qui densifie les lignes de chant soutenues une nouvelle fois par la magnifique intervention de la guitare. La seconde partie est encore plus symptomatique avec ce neo post rock si cher aux Anglais, où la magie opère avec juste quelques notes à hérisser les poils des bras.
Voilà un album qui prend aux tripes, magnifiquement exécuté, écrit et composé comme d’un seul homme – aucun des membres ne prend le pas sur l’autre, c’est un vrai album de groupe. Weend’ô livre avec maestria ce qui constitue, pour l’auteur de ces lignes, la grosse sortie de ce début 2018 et qui postule déjà au titre de meilleur disque de l’année.